Multi - Leaf Free Form (#LLCP:0056)
Palette: Teal, sage green with red accents
Himapan
To craft measured in form.
To objects that gather meaning with time.
To the quiet presence of nature, spirituality, and a deeper connection to earth.
Home to the rare, the real, and the artfully curated.
At Alaya, each piece arrives with the echoes of its makers, reflecting the process and stories that shaped it.
The Lotus Leaf
Before the flower lifts toward light, the leaf arrives.
Unfolding across still waters, the lotus leaf rests like a quiet horizon, holding rain, reflection, and sky upon its skin.
Droplets gather, shimmer, and slip away, leaving no trace behind.
It lives in the world, yet refuses its weight.
While the bloom receives devotion, it is the leaf that steadies the journey: drawing light, shielding life, and spreading calm across the water’s surface.
From Earth To Form
Olee Maatee was born in Konkan, an initiative of CREDAR, supported by the Pitre Foundation.
With a quiet intention: to empower local artisans and honour inherited craft.
In the hands of Bharati Pitre, sculptor and mentor, that intention found form.
Here, nothing is hurried. Papier mâché and ceramic are shaped through patience and touch... layered, observed, and allowed to become. Texture speaks.
Petrified Wood
Before it was reclaimed by the Earth, it was a tree breathing light.
Roots in the dark, branches in the sky, marking seasons in rings and gathering years in silence.
The wood was sealed away from decay, buried beneath layers of shifting earth.
Mineral-rich waters moved through it, replacing fibre with crystal… cell by cell, century after century.
What might have vanished instead transformed. Grain became stone.
Growth became geology. Time itself settled into matter.
The Fired Earth
Before the vessel takes form, the earth arrives.
Gathered from riverbeds, forest floors, and coastlines, the clay carries sediment, erosion, and time already written into it. In the wood-fired kiln, this memory is not erased.
Ash falls, flame moves, embers shift, leaving fractures of colour behind.
It emerges from fire, yet refuses to be finished.
While the vessel receives the eye, it is the earth within it that steadies the journey: holding sediment, bearing flame, and carrying its first landscape into every home it enters.
The Held Ripple
Before the ripple fades, the stillness arrives.
Rising from low, weathered ceramic, the glass fractures outward, layer upon layer of fused light. In the space between earth and water, the moment is not lost.
The ripple spreads, yet refuses to vanish.
While the eye follows the light, it is the ceramic beneath that steadies the moment: holding weight, bearing fire, and giving a single instant a place to stay in every home it enters.
The ceramic is the landscape. The glass is the moment. The space between them is where the story happens. But look long enough, and the boundary between them begins to dissolve. That dissolving is the true subject of the work. This is not a study of two materials placed together. It is a study of the moment they become one.
A ripple lasts only a moment. Here, the moment remains.
Vessels shaped from riverbeds, forest floors, plateaus, and coastlines, then surrendered to a wood-firing kiln for days at a time. No glaze, no applied colour, only ash, flame, and atmosphere deciding what the surface becomes.
Each piece carries the geography of its making: fractures of blue, veins of melted ash, passages of carbon and clay. Contemporary in form, ancient in instinct.
Everything we curate is intended to settle naturally into the way you live.Thoughtfully sourced, responsibly made, and validated for authenticity.
Palette: Teal, sage green with red accents
Himapan
Tempered glass dish and stoneware holder Dimensions: 13 × 13 × 6.75 cm
V&M